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Editor

Whether it's a landmark art history series, a prime time travelogue, high profile observational documentary, or a returning specialist factual series for a US broadcaster, I endeavour to bring the same qualities and experience to each edit.  Strong storytelling and editorial skills, technical know-how, the confidence to work independently to a brief, or collaboratively with a director or producer, a strong work ethic, cool head, eye for detail and a good ear for music, all have been central to my success as an editor.

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